Last updated 12/18/20

My fellow narrators and I often contact authors about creating audiobooks of their books. Many times, the author tells me that her publisher has the audio rights, or she isn’t sure who owns them.

Authors could make more money by exercising as many subsidiary rights as possible for each book, especially the audio rights. The audiobook industry is on a 3-year trend of double digit growth that shows no sign of slowing.

If you have your audio rights, you could contract with a narrator or producer to create an audiobook. You alsoRead More

When you receive an email from a Nigerian prince, you probably think, “This so-called prince is just somebody who wants to take my money.”

Other types of emails may cause the same reaction. Authors are inundated every week with solicitations from marketing and web site gurus, proofers, webinar hosts, and more. It could be easy to become jaded to the constant barrage of offers.

However, one email that isn’t a scam is the one from an audiobook narrator who wants to collaborate with you on producing your audiobook. The reaction to that kind of email should be one of giddyRead More

In my Feb. 2016 article 6 Low-Cost Avenues for Greater Audiobook Sales in InD’tale Magazine, I suggested to authors that they look for podcasts and seek interviews on shows that are a good fit for their book. I was delighted to read a case study today on the ACX.com blog about Glen Tate’s success with appearing on podcasts and selling more audiobooks as a result.

However, his persistent promotion of his audiobook editions is only one part of his success. Even more important is the fact that he avoided 3 costly mistakes thatRead More

It was exciting to attend the RT Booklovers’ Convention here in Atlanta last week with over 25 of my fellow audiobook narrators from across the country. Several members of the group organized and participated on educational panels about audiobooks, and we all contributed for a booth in the Bazaar.

In talking with people who came to our booth, I noticed 3 reasons authors shy away from audiobooks.

One person who never listens to audiobooks asked me the average price for one. When I said it might be $15-$20,Read More

Since many indie authors and smaller publishers are new to the world of audiobooks, I thought you might like to have a quick overview of the 7 players on an audiobook production team:

1. Rights Holder 2. Producer 3. Director 4. Narrator 5. Sound Engineer 6. Audio Editor 7. Proof Listener

One person may be responsible for several phases of the process. For instance, on ACX.com, Audible’s marketplace connecting rights holders with narrators, I’m the audiobook producer in addition to being the narrator.

My husband Drew serves as both the director and sound engineer in all ofRead More

Last updated 11 January 2022

The fantastic info found in this list of links will better prepare you for the task, especially if you plan to use Audible’s Audiobook Creation Exchange (ACX.com) for the production process.

Subscribe to the ACX blog and my blog for authors for on-going news and features about audiobooks.

The resources listed below were found on a variety of sites and are organizedRead More

Want to create an audiobook of your book but feel overwhelmed about the process?

Concerned that you will pick the wrong narrator?

Afraid that you will need to spend hours that you don’t have in requesting changes to an unsatisfactory production?

Sit back and R-E-L-A-X!

In fact, you can head to the beach because you’ve found an experienced producer and narrator to whom you can hand off your book without worry!

As a full-time and Audible Approved audiobook narrator, I love interpreting your words on the printed page and creating a pristine recording that allows today’s ultra busy peopleRead More

Last updated 19 October 2021

Don’t you just LOVE to market your audiobooks?

I think many people would answer an emphatic NO! to that question, in part because they feel uncertain how to proceed.

This page will give you plenty of creative ideas for promoting your audiobook!

Before we get to those ideas, I want to point out that the author and publisher should do most of the marketing and promotion of the title. Even on royalty share contracts, the narrator’s role in and effect from promotion is minimal. Narrators typically have larger portfolios than authors and have shorterRead More

An author recently wrote that her fans were demanding audiobooks, but she couldn’t afford to spend any money up-front for the narrator’s fee and other costs of production.

Narrators frequently bemoan the fact that, instead of narrating the next book, they are spending too much time editing an audiobook because they can’t afford to hire an editor.

I’ve previously written about our words being a self-fulfilling prophecy and encouraged you to think/write/speak what you WANT into being.

Thinking or saying “I can’t afford it” is often a knee-jerk reaction immediately offered by Resistance to keepRead More

In writing a response on author Elizabeth Spann Craig’s blog about tips for success on ACX.com, I realized I had been remiss in adding my latest video to my own blog!

Last fall, I spoke at the Georgia Romance Writers annual conference to help authors get started with creating audiobooks. I recently created a 41-minute video from that presentation which: