Links

20 Things Learned in Last 20 Years

1 September 2019

Happy 20th anniversary to me!

I launched my voiceover business 20 years ago.

Since my last post was about using my journal, it’s only appropriate that this one goes back to where it all began, my first entry in my first book.

Saturday 8/28/1999 9:25pm

I’m spending my evening copying the CD of my first voice-over demo with the plan to mail a few to agents on Monday. How I got to this point and where I go from here will be the subject of this journal.

Friday 9/3/99 10:15pm

On Wednesday, September 1, 1999, I mailed 3 CDs to [3 Atlanta VO agents]. It was such a huge step, and I felt a tremendous sense of accomplishment and excitement to have pushed the dream out to people who could do something about it!

The past 20 years have been a remarkable evolutionary journey, to say the least! As I was reflecting on all that I’ve seen, read, written, voiced, and otherwise done in that time, I decided a blog post of 20 things I’ve learned would be a great way to celebrate this milestone!

So here’s the list, in no particular order. By the way, you’ll find more private journal entries sprinkled throughout these articles!

Links to Help Authors Know Their Rights

9 September 2017

Last updated 12/18/20

My fellow narrators and I often contact authors about creating audiobooks of their books. Many times, the author tells me that her publisher has the audio rights, or she isn’t sure who owns them.

Authors could make more money by exercising as many subsidiary rights as possible for each book, especially the audio rights. The audiobook industry is on a 3-year trend of double digit growth that shows no sign of slowing.

If you have your audio rights, you could contract with a narrator or producer to create an audiobook. You also could choose to license your audio rights to a publisher or producer. The trade-off is that you earn more royalties if you retain your rights and contract with a narrator or producer. When you license your rights, your royalty rate is lower because someone else is managing the audiobook production process.

I’m posting this list of links about rights so that more authors can get their books into audio.

Links to Help Narrators Research Rights Holders to Books

9 September 2017

Last updated 4 November 2024

I’m not a lawyer, but I have voiced an attorney in multiple audiobooks. Just because an author has passed away or isn’t easily discoverable, or the book is out of print, doesn’t mean you’re free to create the audiobook of her book!

Before you can record an audiobook, you must do due diligence to determine whether the book is in the public domain or still under copyright. When a work is still under copyright, the rights holder is the person or company that owns the audio rights to the book. The rights holder (RH) will receive the royalties from the sale of the audiobook.

If the book is still copyrighted, the RH could retain the audio rights and hire you as an independent contractor to produce the audiobook. You also could license the audio rights and become the rights holder. If you’re interested in this second option, I highly recommend you purchase my webinar with attorney and audiobook producer/director/distributor Jessica Kaye on this topic using the link on my Shop page.

The links on this page will help you understand the copyright laws in the US and UK and do your research to determine whether a book is in the public domain or find the rights holder for books still under copyright. By the way, members of my site NarratorsRoadmap.com have access to an exclusive video where I demonstrate how to use some the sites listed below. I also offer members a number of links not listed here, including some collections of potential public domain books I found on HathiTrust.org.

Karen Commins

Award Winning

Atlanta Audiobook Share-rator™